I'm so excited to be hosting Emma Pass on day 8 of her blog tour, for her new novel THE FEARLESS (available now). Her first novel ACID (which I 've just finished) is fab too.
An army, powered by an incredible new serum that makes each soldier stronger,
sharper, faster than their enemies. Intended as a force for good, the serum has
a terrible side-effect - anyone who takes it is stripped of all humanity,
empathy, love. And as the Fearless sweep through the country, forcing the serum
on anyone in their path, society becomes a living nightmare.
Cass remembers the night they passed through her village. Her father was
Altered. Her mother died soon after. All Cass has left is her little brother -
and when Jory is snatched by the Fearless and taken to their hellish lair, Cass
must risk everything to get him back
Emma is kindly guesting today, with a post about absent parents in YA liteature. I'm sure you'll agree, it's a bloody interesting read. Please share and comment - and then buy her book! You really must.
Missing: One Set of Parents (Reward Offered for Keeping Them That Way)
So, you're writing a novel in which your
heroine or hero is about to embark on a crazy adventure. But just as they're
about to rush off to save the world, their parents arrive, wagging their fingers
and reminding them that they still
haven't done their homework. And anyway, if they think they're staying up late
on a school night, they've got another think coming. That nice Mr Andrews next
door is what? Don't be ridiculous! You've
been watching far too much TV. Up to
your room, now!
Frustrating, isn't it?
So perhaps for your character to be able to
carry out their quest, those pesky parents – or whatever adult authority
figures your character has in their lives – need to be out of the picture, at
least for a while. But how can you achieve this? There are several options:
1. Your
main character doesn't have parents.
This is the least complicated option – or
so it might seem at first. But actually, it can make things pretty complicated.
In THE FEARLESS, Cass doesn't have parents because her father was lost in the
Fearless invasion, and her mother died shortly afterwards. However, this
independence brings up a whole new set of problems. She is the sole carer for
her little brother, Jori, and when he's kidnapped by two Fearless she is the
only one who can save him, putting her in terrible danger. So literally getting
rid of the parents can sometimes create more problems than it solves!
2. The
parents are absent for some other reason.
Perhaps the parent is an mad-professor type
who doesn't care what the main character gets up to – think Uncle Quentin,
George's dad in the Famous Five, who was only too happy for George, Julian,
Dick, Anne and Timmy to head off on all sorts of wild adventures, because it
got them out of his hair. Or perhaps the parent are emotionally absent, or have
jobs which require them to spend a lot of time away from home, leaving your main
character in the care of a surrogate parent who isn't quite as watchful or
without anyone to look after them at all. Your character might have been
removed from their parents' influence in other ways – perhaps they're on a
no-parents-allowed holiday with friends, or at boarding school. There are many
ways to take parents out of the equation without erasing them altogether.
3. They’re
not going anywhere. Deal with it.
It's not always practical to get rid of the
parents (or parental figures), and indeed, sometimes, the complications they bring
to your protagonist's struggle add crucial conflict to your story – and
conflict, as all writers know, is the thing which drives your plot forwards. So
if you're struggling to find a convincing way to get rid of your teenage
character's parents, ask yourself, could I keep them in the picture, and make
that another obstacle my protagonist has to overcome?
In both ACID and THE FEARLESS, I've gone
with option 1 because it best suits the dystopian/post-apocalyptic worlds I've
created, but I'm now working on a new idea where the parents and authority
figures who act as surrogate parents are very much alive and kicking. It's
going to be interesting trying to get them out of the way…
Emma
Pass has been making up stories for as long as she can remember. Her debut
novel, ACID, is out now from Corgi/Random House in the UK, and from Delacorte
in the US. It won the 2014 North East
Teenage Book Award, was shortlisted for the Doncaster Book Award, nominated for
the 2014 CILIP Carnegie Medal and has been longlisted for the 2014 Branford
Boase Award and a Silver Inky Award in Australia. Her second novel, THE FEARLESS,
is also out now in the UK from Corgi/Random House and will be published in the
US in early 2015 by Delacorte. By day, she works as a library assistant and
lives with her husband and crazy greyhound G-Dog in the North East Midlands